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“Shoulda held on, shoulda treated me right,” she sings.
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“You’re not romantic, you for sure are hopeless,” she sings to a less MOD SUN-ny chap on “Déjà Vu.” “When in doubt, I’ll take a picture of us and I’ll cut you out.” ( Ouch!) On the pop-punk-drenched lead single, “Bite Me,” the sting only gets more severe. On the other hand, as her fans know well, the picture hasn’t always been so pretty for Ms. It’s very gratifying to know that she’s found someone to whom she can express that: “On my last day, all I wanna do is look you in the eyes and fall asleep right next to you.” On the happier side of things is “Kiss Me Like The World Is Endings,” which documents her current pleasant state of affairs with MOD SUN on her arm.
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That same same sort of confrontational free spirit is maintained throughout the ensuing half-hour.Īs you could probably guess from its title- not to mention a massive chunk of Lavigne’s entire catalogue- Love Sux is mainly above the highs and lows of romantic life.
I’ll come in hot like a cannonball,” she promises in the opening moments of the record.
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Not too surprisingly, given the participation of both Barker and Hoppus, Love Sux is structured as series of two-to-thee-minute fast-paced kinetic outbursts, much in the style of many blink-182 records. No matter which of those two early records you may prefer, it’s still mightily impressive that a grown-up Lavigne can channel her youthful self so effortlessly across an entire LP.
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Layered atop of all that is plenty more of the foul-mouthed flair that she first offered up in full on 2007’s The Best Damn Thing. Given that description, it makes sense that Love Sux is full of the raucous energy that Lavigne displayed when she was of high school age herself on her debut record, Let Go. “We’re just a bunch of band kids - this is what we’ve been doing since we were all in high school, and we’re still doing it now because we love music.”
“I felt like I was back in high school hanging out with the type of people I grew up with, and it was just effortless,” Lavigne says of working in the studio with this crew. Among those to join her for the production of the album were Barker’s blink-mate, Mark Hoppus her current partner and hip-hop producer, MOD SUN and a handful of guest vocalists, including Blackbear and Machine Gun Kelly. Love Sux represents Lavigne’s seventh album overall and first to be released on DTA Records, founded by blink-182 drummer Travis Barker. In doing so, the 17-year-old rebel pop starlet the world came to embrace in 2002 will surface to your ears once again- even if it’s now up to a 37-year-old woman, who’s experienced plenty of the trials of the adult world, to embody that role vicariously. If you seek to keep those fleeting feelings of nostalgia for that era alive, then quickly throw on the new Avril Lavigne album, Love Sux. How could that not be so, after hearing “Lose Yourself,” “In Da Club,” “Family Affair,” and a string of other turn-of-the century smash hits performed in one go? Love Sux – Avril Lavigne If you, like 112.3 million other people, watched the Super Bowl last month, there’s a good chance that the halftime show gave you a dose of nostalgia for the early 2000’s musical landscape. Her seventh studio album, ‘Love Sux,’ finds Avril Lavigne channeling her younger rocker self while making occasional room for some mature perspective on her life and career.
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